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Rabu, 17 April 2013

[W305.Ebook] Free PDF Isaiah 40-55 - Concordia Commentary, by R. Reed Lessing

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About This Volume:
''Isaiah 40-55 contains some of the best-known, most-cherished, and theologically significant texts in the Bible. ... Isaiah 40-55 provides us with the vocabulary and conceptual framework to understand the nature and purpose of the Father's mission in and through his Son, Jesus, with the Spirit'' (from the introduction).

Dr. Lessing's scholarly expertise and decades of service as a seminary professor and pastor are evident as he meticulously expounds the text, historical setting, theology, Christology, and pastoral applications of ''the fifth Gospel.'' He explains why the prophet's saving message, soaring language, and unforgettable imagery are so tightly woven into the fabric of Christian hymnody, liturgy, and prayer. Pericopes from chapters 40-55, which include the Suffering Servant Songs, permeate the lectionary throughout the church year.

About the Series:
The Concordia Commentary Series: A Theological Exposition of Sacred Scripture is written to enable pastors and teachers of the Word to proclaim the Gospel with greater insight, clarity, and faithfulness to the divine intent of the biblical text.

This landmark work will cover all the canonical books of the Old and New Testaments, interpreting Scripture as a harmonious unity centered in the person and work of Jesus Christ. Every passage bears witness to the Good News that God has reconciled the world to Himself through our Lord's life, death, and resurrection.

The commentary fully affirms the divine inspiration, inerrancy, and authority of Scripture as it emphasizes ''that which promotes Christ'' in each pericope.

Authors are sensitive to the rich treasury of language, imagery, and themes found throughout Scripture, including such dialectics as Law and Gospel, sin and grace, death and new life, folly and wisdom, demon possession and the arrival of the kingdom of God in Christ. Careful attention is given to the original Hebrew, Aramaic, or Greek. Further light is shed on the text from archaeology, history, and extra-biblical literature. Finally, Scripture's message is applied to the ongoing life of the church in terms of ministry, worship, proclamation of the Word, Baptism, the Lord's Supper, confession of the faith--all in joyful anticipation of the life of the world to come.

Sales Rank: #1441513 in Books
Published on: 2011-12-01
Original language: English
Number of items: 1
Dimensions: 10.20" h x 1.80" w x 7.40" l, 3.45 pounds
Binding: Hardcover
792 pages

About the Author
Dr. R. Reed Lessing is Professor of Exegetical Theology and director of the graduate school at Concordia Seminary, St. Louis, Missouri. He studied at St. John's College, Winfield, Kansas (B.A.), and Concordia Seminary (M. Div., S.T.M., Ph.D.). He has also served as a parish pastor.

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8 of 8 people found the following review helpful.
A winner on Isaiah,
By Ronald B. Allen
An outstanding, well-written and highly researched commentary that honors the Word of God-- a rare thing these days in commentaries on Isaiah. Dr. Ronald B. Allen, Dallas Theological Seminary

0 of 0 people found the following review helpful.
A Wonderful Read
By Rev. Richard A. Keller
I've read a number of volumes from the Concordia Commentary series, and Lessing's commentaries on Isaiah (along with Brighton's volume on Revelation) have been my favorite to date. For anyone who believes in the Christocentricity of the Old Testament and the inerrancy of the Bible, these volumes are a breath of fresh air.

0 of 0 people found the following review helpful.
Five Stars
By John R Koczman
Great book. Using it for class

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Selasa, 16 April 2013

[F347.Ebook] Download PDF Ernst Haas: Color Correction, by Phillip Prodger

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Ernst Haas is unquestionably one of the best-known, most prolific and most published photographers of the twentieth century.

He is most associated with a vibrant colour photography which, for decades, was much in demand by the

illustrated press. This colour work, published in the most influential magazines in Europe and America, also fed a constant stream of books, and these too enjoyed great popularity. But although his colour work earned him fame around the world, in recent decades it has often been derided by critics and curators as "overly commercial", and too easily accessible - or in the language of curators, not sufficiently "serious". As a result, his reputation has suffered in comparison with a younger generation of colour photographers, notably Eggleston, Shore and Meyerowitz.

Sales Rank: #2282715 in Books
Published on: 2011-07-20
Original language: English
Number of items: 1
Dimensions: 1.05" h x 10.15" w x 10.73" l, 3.50 pounds
Binding: Hardcover
200 pages

About the Author
Ernst Haas was born in Vienna in 1921, and took up photography after the war. His early Austrian work on returning prisoners of war brought him to the attention of Life Magazine, but he courageously declined a job as staff photographer in order to keep his independence. At the invitation of Robert Capa, Haas joined Magnum in 1949, developing close associations with Capa, Bishof and Cartier-Bresson. He began experimenting with colour, and went on to become the premier colour photographer of the 1950s. In 1962 New York's Museum of Modern Art mounted its first solo exhibition of his colour photography. Haas's books were legion, and one The Creation (1971) sold 350.000 copies. Ernst Haas received the Hasselblad award in 1986, the year of his death.

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33 of 35 people found the following review helpful.
Ohhhh, Yeaaahhhh.... This is the Most Important Photo Book of 2011 and It's Reissue Is Just As Important
By T. Campbell
Comments on this important reissue:
See below my extensive review from 2011. This reissue by Steidl, one of the very best publishers of fine photo books, is important. The first printing sold out in about two weeks. This reissue emphasizes a renewal or rediscovery of Ernst Haas and is a strong reassertion of his importance in the History of Photography. He has been ignored for too long in favor of more "avant garde" photographers, such as Eggleston and Leiter - both important, but cannot and do not challenge Haas's depth and breadth of contributions to photography in the mid-20th Century. I hope that the younger generation of photographers, amateur, student, and professional will delight in Haas's work, much of it in this book not published previously, as I have. His more recent book, "On Set," is also a most important book just covering his extensive coverage of dozens of movies from the 1950s and later. Directors and actors/actresses specifically sought out Haas for his stills.

My guess is that this reissue will also sell out quickly.

My 2011 Review:
Firstly, allow me to say that amazon doesn't have enough stars to account for my real feelings about this book.

When I opened Haas's first book, "The Creation," the first time, it was to photos 22/23 at a small book store in Cherry Valley, NY in June, 1972. And my jaw dropped involuntarily. I couldn't believe that image 23 could have been made with a camera. To the beginning, the opening image across both pages, of the universe in an abalone shell - one of the iconic images of color 35mm photography - unworldly. My jaw stayed distended as I continued to leaf through the book, followed, of course, by my purchase.

Ernst Haas is my Number One photographic personal hero, and has been for more than 40 years. No one's images are so satisfying to me on so many levels as Haas's. His photography is to me as Beethoven's music. It resonates in my visual processing system at a level close to primeval. It is satisfying at an intellectual level, visual architecture level, spiritual level, and something, somewhere more visceral. I never get tired of his images.

So, it is almost an emotional experience to receive finally this magnificent, long overdue book, and to experience, once again with many new images, some of what I felt with that first leafing through of "The Creation." For those of us in the Post War Baby Boom Generation (PWBBG) who became photographers as professionals or amateurs, I would guess that almost every one of us who chose color was inspired by EH, if not to take up photography in the first place, then it was his work that lit the real fire in our bellies.

The great majority of the images in this book have not been published before. The portfolio section is arranged in twelve parts, the logic for which escapes me, but it does give one's eye moments of relief from concentrating on the images. And what images they are! Dozens of his straight abstracts and often incomprehensible multi-reflections. And so many other styles and categories. Looking through these, I see bits of many other photographers' works already seen or imagined in these images; it is uncanny. The curator of this selection, William Ewing, used the term "loose," as one of several adjectives, to describe the flavor of what he found in the Getty archives of some 200,000 images. But "loose" does not begin to describe the exactness of Haas's in-camera framing of these images. Many left me wondering what kind of mind was even capable of seeing such possibilities, let alone the technical acumen to record them as images.

EH invented small format color photography - at least in the sense that he was the first to show wildly new dimensions of what was possible, in seeing and making the image from Kodachrome's earliest days on the market. His essays in Life magazine in 1953, the year after my birth, were breakthroughs; Life in his first essay on NY had until then never dedicated so many pages and so many images to a single article, and to follow the next week with a longer one, broke Life's practice, then, on two fronts. And it just kept on going. So many contemporaries and younger photographers' work show Haas's influences. There were over a dozen photo essays in Life and Look magazines, with essays or photos in many others, too.

His first book, "The Creation," may still hold the title of the best selling photography portfolio book ever, with over 350,000 sold world wide in the hardcover and paperback versions. An image from that book, of impala in an East African game reserve, was the first 35mm frame that Kodak made into a 20' x 30' - yup, that's feet - backlit transparency that graced their advertising space in New York's Grand Central Station for several years in the late 1970s to early 80s, if I remember correctly. Twenty feet by thirty feet from one Kodachome image! Amazing then, and still rather mind boggling now.

He was one of the most versatile photographers going: commercial, illustrative, books, teaching, exhibitions, and more. People by the millions loved his work, and those, unfortunately not I, who had the privilege of having spent personal time with him at the workshops he used to host, loved him.

And then he ran up against the critical elite. Anyone whose work was enjoyed by so many people across so many media obviously couldn't have been "serious," or "relevant," or "avant garde" enough. No, no. Starting with John Szarkowski, and followed by the likes of Sally Eauclaire and Max Kozloff, his work was progressively denigrated and sidelined through the 1970s and following decades. He always maintained a loyal following, but the effete ones with their noses in the air, brilliant as they were, trivialized his work. Fine of Szarkowski to have been one, as a recent book of his photography shows quite clearly that he fits with consistency an old stereotypical statement, that "Those who can't do either teach or critique." Not to insult teachers, though. And his photography is competent. Several compilations of the most significant photographers by some criteria or other fail to include Haas - even of Life magazine photographers. Incredible, just plain incredible.

The publication of this book puts paid to any possible denigrative statement from any critic whomsoever. It opens for us more than ever before a window on Haas's deep intelligence, brilliancy of seeing - both compositionally and with underlying message, across every major artistic movement and style of his era and even before, at a spiritual level no one else could touch. The emergence of his private work, which, according to Prodger, Haas kept to himself, blows apart those earlier critical putdowns, showing he was ahead of or a deeper master of the work of any successor. He out banals Eggleston and outsees by many a mile the likes of Steven Shore and Joel Meyerowitz. If Haas had let these images be published or shown in his lifetime, the New Photography critics would have had to find someone else to beat up to make the space for their favorites.

Unlike the practitioners of Eauclaire's "New Color Photography," Haas loved black in his images. So many of his images are thick with black, the content revealing itself in contrasts, through rich, deep color. The New folks liked their images to be more evenly exposed, without the massive, deep shadows that Haas used so well.

Prodger's essay in the back is brilliant, detailed, and thorough. I have only a minor bone to pick, with a detail. "R" cameras didn't come into being until 1976 with the Leica R3. Earlier reflex Leicas were "Leicaflex" cameras, Standard, SL, and SL2, and I know that he used at least the SL and SL2 cameras. By the time of his untimely demise, he was using R Leicas. Before the advent of Leica's reflex cameras, Haas used Leica rangefinder cameras and, apparently, Pentax Spotmatics with adapted Leica lenses for his color work.

I predict this book to sell out. Once again, Steidl shows that they are at the forefront of the finest photographic publications. Anyone photographer raised in the PWBBG will want this book. The only way it could be better is for Steidl to give us so much more of Ernst Haas, one of the finest, most significant photographers of the Twentieth Century.

11 of 16 people found the following review helpful.
Haas is always worth looking at, but...
By KB
Thanks to certain photograph(s) in this book having been previously reproduced in Haas' earlier books-at least one in "The Creation", that I can tell- I can report that the color reproduction quality of "Ernst Haas: Color Correction" is poor.
Even shots that I am fairly sure were made on the relatively fade-free Kodachrome are reproduced here with a faded, sapped-out color that degrades the experience of viewing, especially for those newly exposed to Haas' work. I can't say 'Don't buy it', but try to see earlier copies of "The Creation" or "In America" in order to see what the color really looked like. Is it possible that "Color Correction" contains the best possible modern, circa 2010 color reproductions of Haas' work? Yes, but I doubt it.

1 of 1 people found the following review helpful.
Fantastic
By piotr koralewski
very interesting attitude to color photography
nice and attractive inspiration for other photographers
pictures absolutely fantastic
I love it .

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Kamis, 11 April 2013

[K619.Ebook] Download Ebook Understanding Terrorism Challenges, Perspectives, & Issues, 3RD EDITION, by C. (Clarence) Augustus (Gus) Martin

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Understanding Terrorism : Challenges, Perspectives, and Issues 3RD EDITION by Gus Martin and Clarence Augustus Martin. Sage Publications, Inc.,2010

Sales Rank: #4711989 in Books
Published on: 2008-03-06
Binding: Paperback

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Rabu, 10 April 2013

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Pawol Lakay is a complete first and second year set of Kreyol materials designed for beginners and intermediate learners at the college level. It is the most comprehensive resource for the teaching and learning of Kreyol available on the market. This textbook adopts a pragmatic approach to the teaching of language: emphasizing the value of communicative competence, functional language use, and conversational effectiveness. Pawol Lakay takes into consideration the most recent research findings, new theories and methods in foreign language teaching. It is designed in accordance with the Common European Framework of Reference for Languages and the ACTFL National Standards for Foreign Language Education. Pawol Lakay meets the five "Cs" of the national standards for foreign languages which are: Communication, Cultures, Connections, Comparisons, and Communities. Pawol Lakay provides students with the opportunity to learn more than the Kreyol language. Every chapter of Pawol Lakay is made up of four lessons and a dossier with socio-historical and cultural information including Haitian proverbs. The dossiers provide substantial information on an aspect of Haitian culture and society related to the theme of the chapter. It allows students to explore in greater depth the topics taught in the chapter while promoting cultural analysis and cross-cultural comparisons. Frenand Leger, a native speaker of Haitian-Creole, has a Bachelor s Degree in Foreign Language Education from Universite Quisqueya, a Master s Degree in French Instruction from Indiana University and is currently completing a PhD in French Literature at the University of Toronto. He has collaborated in major research projects on Haitian-Creole and has taught this language as well as French at the college level in Haiti, the United States and the Bahamas for more than seven years.

Sales Rank: #454483 in Books
Brand: Brand: Educa Vision Inc.
Published on: 2011-02-14
Original language: English
Number of items: 3
Dimensions: 11.00" h x 8.50" w x 1.25" l, 3.10 pounds
Binding: Paperback
481 pages

Features

Used Book in Good Condition

About the Author
Frenand Leger, a native speaker of Haitian-Creole, has a Bachelor's Degree in Foreign Language Education from Universite Quisqueya, a Master's Degree in French Instruction from Indiana University and is currently completing a PhD in French Literature at the University of Toronto. He has collaborated in major research projects on Haitian-Creole and has taught this language as well as French at the college level in Haiti, the United States and the Bahamas for more than seven years.

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4 of 4 people found the following review helpful.
Pawol Lakay is a great learning resource
By curiouscorvid
This book is an excellent way to learn the Haitian language for native English speakers and can be used independently, as I am doing, or in a classroom setting, which is the audience it was written for. It comes with both the text and audio CDs and I have been working through them with relative ease. My only criticism is that the audio and text sometimes do not match and which might be confusing for some. However, those inconsistencies are not very numerous nor terribly problematic and overall the lessons are great for learning the Haitian language. If you are interesting in learning to speak Haitian, I recommend this book.

0 of 0 people found the following review helpful.
Great text!
By MistybluePrincess
Needed it for a class got here really quickly and very easy to use. The CD's are a help and at the back of the book I found the answers to the questions for the audio exercises at the end of the semester! :( Only downside sometimes the cd dialogue is too quick for even me a native speaker doing the course for college credit. Learnt a lot of new things.

3 of 3 people found the following review helpful.
Great to learn
By Mary Elizabeth Bahl
If you're going to be involved in haitian culture, this is a great way to learn kreyol. Easy to follow and practical.

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Sales Rank: #3373455 in Books
Brand: Muraoka, Takamitsu/ Porten, Bezalel
Published on: 2014-10-31
Original language: English
Number of items: 1
Dimensions: 9.02" h x 1.05" w x 5.98" l, 1.51 pounds
Binding: Paperback
470 pages

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Sales Rank: #3140608 in Books
Published on: 2010-01-23
Binding: Hardcover

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From improving casual snapshots to learning the secrets of lighting, composition, and digital image manipulation, Digital Photography provides a practical, easily accessible approach to producing better digital photographs. With over 400 photographs, this concise guide shows you, as well as tells you what to do. The book also includes information on the most up-to-date equipment, software, and accessories, and professional hints and advice to help you get the most out of our digital camera.

Sales Rank: #4912150 in Books
Published on: 2003-10
Original language: English
Number of items: 1
Dimensions: 8.22" h x .70" w x 5.46" l,
Binding: Paperback
224 pages

About the Author
Tom Ang has worked as a photo editor on many magazines. He is the winner of the Thomas Cook Travel Book Award for photography, and the author of the Digital Photographer's Handbook, Silver Pixel, and The Tao of Photography.

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9 of 13 people found the following review helpful.
For the regular guy, it gets too technical too quickly
By Jennifer Singh
If you like the way your pictures come out, this book is built to show you how to apply those skills to the digital format. But if you're an average family member trying to improve your pictures of your average life, go with "How to Photograph Your Life" by Nick Kelsh.
"Digital Photography: An Introduction" by Tom Ang
The opening chapter (on how to select the equipment to meet your needs) is useful only for those who don't have a camera, computer, or scanner yet or those who are looking to replace their current tools. But by the time I'm buying a photography book, I'm looking to make better use of the camera I already have. And I don't claim to know more than the professionals, but the author's advice on many technical points seems to contradict all that I've heard elsewhere. Such as his suggestion on page 16 that "with a 3-megapixel camera you have really crossed over into the realm of professional-quality image-making." This is a brand-new publication (October 2003) and I wouldn't hire any professional who told me he would be shooting my event with a 3-megapixel camera these days. Plus, like the rest of the book, it gets too technical too quickly. By the fourth page of the chapter, the author is describing buyers' choices for available focusing methods and viewfinder systems, before getting into the broader, more basic subject of whether to choose a 1, 2, or 3-megapixel camera. At least the chapter is short - only 24 pages.
The 2nd chapter is wonderful - the good stuff on how to take better pictures. Fundamentals of composition, lighting, proportion... but the author spends too little time on each subject. For example, there are only two pages on proportion, and the whole chapter is only 34 pages long. And it gets too technical too quickly, often recommending techniques that require costly accessories. The author seems to assume you already have a photographic eye and he says nothing about how to train your eyes to turn a scene from an average life into a good picture.
The rest of the book makes up the bulk of it (pages 94 to 216). These last two chapters cover image manipulation and output options (web, printing, emailing). I can't really review these because I haven't gotten there yet. First I need to start taking pictures that I like before I'm willing to invest time and money into editing and printing them.
Maybe it's just me, but this does not seem like a good book for beginners.

18 of 20 people found the following review helpful.
This was my orange sherbet.
By A Customer
Choosing an introductory level technical guide is something like ordering ice cream in a foreign language: all the flavors might be good, but you probably won't feel satisfied if you wanted orange sherbet and wind up with rocky road.
I bought this volume in spite of two negative Amazon.com reviews. Fortunately I brought a wireless Internet connection to my neighborhood bookstore so I was able to do some real browsing.
The layout and printing are first rate. I like heavy paper, full color on every page, and a design that serves the content. This was the best by far in those areas among the smaller digital photography volumes I saw. Tom Ang has a wonderful photographer's eye.
This is a guide for people who used to burn through 35mm film as a hobby. It won't teach you how to shoot your niece's birthday party or explain every optimization trick in Photoshop. You already know the basics - if this is your book - and you'd rather leave the imaging software tome back at home on the desk. What you really want is enough information to adjust some settings and composition, glance at the preview screen, and get a sense for what you'll do afterward.
I may not be the typical reader. Although I've never taken a photography course in my life and couldn't feel my way out of a darkroom, I've also been published in about half a dozen magazines. This volume is beautiful enough to make me want to run for my camera and sturdy enough to carry along for some thumbing. What attracted me most is tricky to pinpoint. Tom Ang understands how digital cameras "see" and how imaging programs "think," yet those technologies never overwhelm his priorities. It's all about getting the shot.

12 of 15 people found the following review helpful.
Waste of Money..... I want my wasted time back.
By A Customer
This books drags on, explains little and for someone like myself that is just starting in Photography and wants an understanding in common Photographic terms is useless. The following terms are not explained in Mr. Ang's Glossary at all, and too much space is given to Computer for Dummies dialog.
Following terms are not at least touched upon or even explained:
Effective Resolution
Aperture
F Stop
Metering
Depth of field
Digital Optics
Exposure Control
What Mr. Ang Spends most of his time doing is reprinting what has been written a thousand times over in Photoshop Books and Computer for Dummies circa 1987.
The Cameras that he compares, six models, three of the best and three of the absolute worst, are in so horrible detail, three paragraphs, that I would expect this kind of effort from a Junior High Student. Of course one will get great looking photos operating a Nikon D100 but the why is not even explained in detail, what we get instead is: How to have your eyes set from optimal monitor viewing!
I would swear that most of this material was Plagiarized for "how to set up your Computer manual" and "Photoshop for Dummies". The only saving grace to the whole book is the "Quick Fix" sections but this material I have also seen many times over in PC Week and MacWorld.
If you know nothing about computers and Don't need certain Photographic terms explained and studied, and would also like to just get another tip book get the Photoshop Bible, that would be better than this outdated, ill informed over bloated drivel.

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